"Thank God I had Paul to escape to," Cathy gushes. "And I wasn't going to let Julian take the joy from this Christmas. For this was the time Paul and I had agreed to announce our engagement, and the only person who could ruin my happiness now was Chris." AND HE WILL.
Showing posts with label feminist analysis. Show all posts
Showing posts with label feminist analysis. Show all posts
Monday, February 18, 2013
Petals on the Wind, Part Six: In Which We are Going to Carry On as if Nothing Happen
After confronting Julian with her upcoming nuptials, Cathy goes back home for--oh look, another Christmas. Considering that this book culminates in a dramatic Christmas Eve face-off, I'd like to say that making Christmas a constant touch-point is Andrews's way of foreshadowing, but I think she just really really enjoys gift-porn.
"Thank God I had Paul to escape to," Cathy gushes. "And I wasn't going to let Julian take the joy from this Christmas. For this was the time Paul and I had agreed to announce our engagement, and the only person who could ruin my happiness now was Chris." AND HE WILL.
"Thank God I had Paul to escape to," Cathy gushes. "And I wasn't going to let Julian take the joy from this Christmas. For this was the time Paul and I had agreed to announce our engagement, and the only person who could ruin my happiness now was Chris." AND HE WILL.
Sunday, January 8, 2012
Petals on the Wind, Part Four: Greetings from the Boarding School from Hell
Without warning, the novel turns to one of the more interesting, yet inexplicable tangents in the whole series, an incident that will become a standard in Andrewsland for several series to come: the Boarding School from Hell. This is kind of a long one.
But let's let Cathy tell it, shall we?
But let's let Cathy tell it, shall we?
Thursday, December 1, 2011
Petal on the Wind, Part Three: Every Man in This Book is a Freakin' Rapist
I, um, kind of had a complete meltdown in this section? I apologize in advance, and really, I tried to make it as relevant as possible to the subject at hand, since it touched on a theme that is going to carry on through the remainder of . . . well, all of the books. Because when I say "every man in this book is a rapist," I'm not talking in the Andrea Dworkin all-sex-is-rape sense. I mean that literally every man in this book is a freakin' rapist.
Wait, I take it back. There is one man who is not a freakin' rapist. But he's very much a sideline character, he only appears for one chapter, and he vanishes without a trace immediately afterwards. I say this like he's some big mystery character, but really, he's just so inconsequential that I can't be arsed.*
So, in a nutshell, we're going to be talking about rape, a conversation that was bound to happen considering that every man in this book is a freakin' rapist. I don't know how we avoided it this long, honestly.
Wait, I take it back. There is one man who is not a freakin' rapist. But he's very much a sideline character, he only appears for one chapter, and he vanishes without a trace immediately afterwards. I say this like he's some big mystery character, but really, he's just so inconsequential that I can't be arsed.*
So, in a nutshell, we're going to be talking about rape, a conversation that was bound to happen considering that every man in this book is a freakin' rapist. I don't know how we avoided it this long, honestly.
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